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Stern Tribal

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With twenty-five years of operational and management experience, Mr. Moss approaches business challenges with an intrinsic knack for innovation, creative problem-solving, and risk assessment driving outstanding customer experiences and shareholder returns.

He is an active supporter of numerous local and national charities. Stern is highly regarded for his creativity and entrepreneurship, process-oriented focus and commitment to building deep, long-term customer relationships.

Stern is co-founder, President, and a member of the Board of Managers of Tribalco, where he oversees the company's executive management team.

Stern has a history of successfully leading enterprises from concept to mature operational status.

Friedman is a performance leader known for building highly resilient business operations and management teams.

Friedman oversees global operations and guides the company's strategic plan. Friedman has over twenty years of experience working in telecommunications and IT industries.

Before joining Tribalco, Ms. Prior to Discovery, she was a Partner with Accenture, responsible for business strategy definition, new product market entry, and business development.

Friedman received a B. A dynamic sales leader, Mr. Castro leverages his strategic and technical insights to drive Tribalco's business initiatives, optimize its sales processes, and expand its global footprint into new markets and geographies.

Castro has been with Tribalco since Castro has over 20 years of experience in the defense and government services marketplaces.

Rue is a results-driven leader with over 35 years of executive and military experience across DoD and the Intelligence communities.

As Senior Vice President, Mr. These expeditions resulted in a wealth of artistic creativity and energy as well as the publication of two illustrated journals; Congo published in and Zanzibar in Almost one hundred solo exhibitions were held during her lifetime both in South Africa and Europe: including Germany, France, Italy and England.

Although accepted in Europe, her work was unappreciated at first in South Africa where critics derided her early exhibitionsin the s with reviews titled "Art of Miss Irma Stern - Ugliness as a cult".

The Irma Stern Museum was established in and is the house the artist lived in for almost four decades. She moved into The Firs in Rondebosch in and lived there until her death.

Several of the rooms are furnished as she arranged them while upstairs there is a commercial gallery used by contemporary South African artists.

This record was soon broken, however, and in March Stern's work was sold for R6. Stern's Gladioli was sold for an all-time high of R

Similar candor can also be found in a current college textbook co-authored by three African-American historians.

Europeans and eventually Americans—. Instead they purchased slaves from African traders [who]…restricted the Europeans to a few points on the coast, while the kingdoms raided the interior to supply the Europeans with slaves.

The European traders provided the aggressors with firearms, but they did not instigate the wars. Instead they used the wars to enrich themselves.

Sometimes African armies enslaved the inhabitants of conquered towns and villages. At other times, raiding parties captured isolated families or kidnapped individuals.

As warfare spread to the interior, captives had to march for hundreds of miles to the coast where European traders awaited them.

The raiders tied the captives together with rope or secured them with wooden yokes around their necks. It was a shocking experience, and many captives died from hunger, exhaustion, and exposure during the journey.

Others killed themselves rather than submit to their fate, and the captors killed those who resisted. A concise version of this textbook prepared for a new required course on African-American history in Philadelphia high schools has retained all of this material—giving these students the opportunity to learn the full story of the Atlantic slave trade.

Free at last! Thank God Almighty, we are free at last! Stern, Effective State Standards for U. Fordham Foundation, This report is available for downloading at www.

History New York: New Press, , The film won a grand prize at the film festival in Amiens, France, in November Engerman, eds.

For a discussion of the Atlantic slave trade in American education and civic consciousness, see Sheldon M. As an educator, I tried to fine The African Trade video with no success.

I find it compelling that it was shown only once and that no organization, either here or in Britain wanted to acknowledge it or present it again.

The agenda driven presentation of the slavery issue should be an embarrassment to any scholar or educational institution with integrity and, yet, so few seem to want to deal with it honestly.

I am delighted to find your analysis which fills in the holes left by a hopelessly politically correct portrayal by our schools and the media.

Please inform me how I can get a video or dvd of The African Trade. I am the webmaster of Amistad America website referenced in your article.

I wold like to contact Mr. Stern directly via email. Please contact with me: vwacowski amistadamerica. Following the abolition of the international slave trade, African state persisted in their desire to sell slaves to the slave trade.

Trying to understand this phase is a key to understanding the earlier phase because it shows that West African states were trying to rid themselves of an unwanted part of the populations -- people who had been defeated in war, people who had fallen into debt bondage, criminals and the dregs of society, who could find no place in African societies.

Europeans shipped such classes of persons off to Australia, New Zealand, Georgia and other distant spots far away from the homeland of England where they might produce as indentured servants products salable on the home market, rather than building prisons for them and housing them in penal institutions.

From this perspective, the African slave trade seem a logical response to the troublesome question, face by most societies at some time, of what to do with troublesome and unproductive classes of masterless persons.

The full article, cited in the footnotes, addresses all these issues esp. Therefore the trans-Saharan slave trade is, quite properly, not mentioned at all.

The Anti-Slavery Society in London has much material on this. To end wars, an ideology which promoted peace was needed.

This emerged to some extent in the late 19th century. Similarly, with the refs to wars amongst the Spanish, Italians, French, English, etc.

Lumping everyone together -- regardless of language, culture, etc. Wars ended when an ideology of peace took over, after I can hear the comments now about there being a big difference between the more personalized slavery that was the historic norm and the uniquely barbaric, capitalist plantation slavery, but such criticism is ahistorical - even as regards American slavery, which is thought of almost exclusively in its antebellum phase.

This phase arguably the most socially disruptive phase, characterized by territorial expansion is actually atypical of American slavery.

The slave trade itself shares much in common with this phase, in terms of its impact on slaves breaking up of families mainly and the post- cotton gin phase of American SLavery in many ways is like a revival of the slave trade, only limited to within the continental U.

She held her first exhibition in Berlin in In Stern returned to Cape Town with her family where she was first derided and dismissed as an artist before becoming an established artist by the s.

They were divorced in These trips provided a wide range of subject matter for her paintings and gave her opportunities to acquire and assemble a collection of artifacts.

Stern's dream was to travel extensively in her lifetime: in to Madeira, in and to Dakar, Senegal, Zanzibar, Congo, Zanzibar, Central Africa, Madeira, Congo, Spain and France.

Stern travelled extensively in South Africa, for example in to Swaziland and Pondoland, in to Namaqualand, in generally, and in to the Eastern Cape.

In she visited Madeira and Dakar, Senegal, in and Irma Stern refused to either travel or exhibit in Germany during the period - Instead, she undertook several journeys into Africa; going to Zanzibar twice in and and then planned three trips to the Congo region in , and These expeditions resulted in a wealth of artistic creativity and energy as well as the publication of two illustrated journals; Congo published in and Zanzibar in Almost one hundred solo exhibitions were held during her lifetime both in South Africa and Europe: including Germany, France, Italy and England.

Although accepted in Europe, her work was unappreciated at first in South Africa where critics derided her early exhibitionsin the s with reviews titled "Art of Miss Irma Stern - Ugliness as a cult".

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